I've blogged before about the pleasures and pitfalls of “what if” novels. If the premise is too
implausible or clunky I lose interest immediately, but if the author
makes a persuasive case, like Tom Perrotta's “The
Leftovers” or Michael Chabon's “The
Yiddish Policemen's Union”, I'm happy to go along for the ride. Kate Atkinson's Life After
Life offers a “what if” that is quite a stretch – what if
every time main character Ursula Todd dies, some sort of karmic reset
button gets hit, and she returns to life. Although she doesn't
remember her previous life, a sense of déjà vu causes her to take
an alternate path. Confusing? It sounds as if it should be, but once
you recognize the rhythm it's surprisingly easy to follow the
twisting thread of Ursula's life, from her first cross with death
(where she dies at birth) through her childhood, adolescence and
adulthood.
This device allows Atkinson to place
Ursula in harm's way on both sides in World War II. She sips hot
chocolate with Eva Braun, struggles to survive in a bombed out
Berlin, but also serves as warden in London during the Blitz. And
why didn't this seem like a gimmick? Because I grew more and more
fond of Ursula as each new path fleshed out her personality and that
of other characters as well. Kate Atkinson's skill kept me following
each new narrative with curiosity and affection.