Harrison hurls you into a series of New York worlds that have little in common. There's the 'rainmaking' corporate executive at a drug company wooing investors, an aging hedge fund billionaire with a trophy wife and a prostate problem, a young Chinese entrepreneur who manipulates the global markets using stolen information, a twisted Brooklyn 'waste management' thug who's right out of the Sopranos. Of course there's also a damsel in distress and a handsome young hero who is haunted by a mysterious past. Their paths all cross, and bad things happen.
If I'd had time to think about it, I'm sure I would have realized how implausible some of the plot twists were. But I didn't have time, because Harrison had his pedal to the metal the entire time. He whips from one tense situation to the next, and all I could do was hang on for dear life. Occasionally I thought that hero Ray Grant had a few too many McGyver-like tricks up his sleeve, and the descriptions of the global market manipulations sometimes bogged down the action, but I'm nit-picking. It's a well-told thriller – try it for your next long plane trip.
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