I've
hosted some dinner parties that didn't go smoothly, but nothing to
compare with the scenario presented by Ali Smith in There but for
the. Between the main course and dessert, one of the guests goes
upstairs, locks himself in the guest room, and refuses to leave.
Awkward! But when the snarky dinner table
conversation is described it crossed my mind that I too might have
headed for the guestroom to escape it.
The guest's name
is Miles Garth, the hosts had never met him before that evening, and
no one seems to know much about him. In the novels four sections,
“There,” “But,” “For” and “The,” Smith tells the
stories of four
characters whose paths have crossed somewhat tangentially with Miles.
We learn a little about him – he seems to be a kind and gentle
soul, if somewhat enigmatic.
This
novel is not for those who like linear narratives. The sections each
jump right into the middle of a story, and it takes a while to sort
out the various connections. In some ways the book is like a puzzle,
and the section that opens the book can be understood only at the end
of the story. Smith's writing is clever and witty, but can also be
tender and touching. It's clear she loves language and she
challenges the reader to slow down and enjoy it. One character who
embodies this love of language is Brooke Bayoude, a “preternaturally
articulate” nine year old who is present with her parents at the
dinner party and later forms a special bond with Miles.
Unfortunately I occasionally found her just a little too articulate
to be believed, and I felt Smith's wordplay was trying too hard.
In the
end I felt exhilarated, amused and entertained but also a little
dizzy.
This is actually on my dying-to-read list.
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