In
the beginning it seems simple enough. Sam Leroux, a writer and
academic, comes to the Cape Town home of aging South African writer Clare Wald, who has reluctantly agreed to allow him to write her
biography. Yet even in the opening chapters of Patrick Flanery's Absolution there are hints that
there is more between these two than either of them is ready to
admit.
The
story advances in fits and starts, as the chapter narratives
alternate points of view. It is clear when the narrative voice
belongs to Sam or Clare, but at times other, conflicting, accounts
appear, and it's only as the book progresses (accompanied by much
flipping pages backwards on my part), that the source of each voice
becomes clear.
And
what Sam and Clare are describing is incredibly powerful and
unsettling. The story is set in present day South Africa, but the
violence and terror of apartheid has saturated both their
lives. I was familiar with only the broad strokes of this era of
South Africa's history, so I found Flanery's descriptions of the
horrific events and the oppressive atmosphere disturbing and
riveting. Both Clare and Sam keep revisiting pieces of their pasts,
trying make sense of history and of their personal lives, haunted by
guilt.
Flanery's
does not make excuses for his characters but he does not judge them.
He does makes it clear how difficult it can be to receive absolution.
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