Sometimes
what leads me to a book is a straight line, sometimes it's a long
twisted path, but this time it was somewhere in between. I loved
David Mitchell's “Cloud Atlas', so I tried “The Thousand Autumns
of Jacob de Zoet” but I just couldn't get into it. So much for
David Mitchell, said I. But then I listened to the podcast of the
Slate Audio Book Club where they discussed “Cloud Atlas”. (These
podcasts are very entertaining, and I loved the latest
one where they discussed “”Pride and Prejudice” on the
occasion of its 200th
birthday). They enjoyed "Cloud Atlas", but all of them said that their favorite Mitchell book was
Black
Swan Green,
so I decided to try it.
What!
Another coming-of-age novel told in the voice of a thirteen-year-old
boy? Why I am reading this? But I was hooked immediately. The
chapters, each about a month apart, recount episodes in Jason
Taylor's life in Worcestershire in 1982 . They don't initially seem
to tie together, but they slowly reveal Jason's world and his view of
it. He is a sharp observer, perhaps because his stammer makes him
wary of talking too much, but also because he is acutely aware of the
thin and shifting line that separates a thirteen-year-old from being
part of the crowd to being the object of bullying. He has secret
aspirations to write poetry, and some of his prose reflects his
attachment to the lyric and mystical in nature. But he can also be
snarkily funny, keenly observant of the odd characters that are part
of small town life, and sharply critical of his parent's crumbling
marriage.
If
you've been put off by complicated, mannered style of Mitchell's
previous works, I highly recommend that you spend a year with Jason
Taylor.
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