Late
in Tessa Hadley's Clever Girl, main character Stella muses
that “the highest test was not in what you chose, but in how you
lived out what befell you”. She is certainly talking about
herself. Each of the book's ten chapters describes what 'befell'
Stella in a period of her life, from her childhood with a single
mother in postwar Bristol England in the early 1960's, to her own single motherhood and commune life in the 70's, to her married
middle age. (If you are a New Yorker reader you may recognize some
of the early chapters, which appeared there as short stories).
Although Stella can be clever, she is often the victim rather than
the driver of her fate. She somehow manages to be impulsive and
passive at the same time, and the result is a life that lurches
forward with plenty of wrong turns.
I
am often annoyed with passive characters (I had that problem with
“The Flamethrowers”), but Stella is so clear-eyed and honest
about her mistakes that I grew to admire her. Hadley's prose has a
lot to do with that. It is crisp and concise, not at all showy, but
sharply observant, and by the end incidents that seemed isolated and
unconnected form a cohesive portrait.
Stella
is not always clever, but she does have the good sense to read great
literature to keep her sanity when her life is chaotic. You've got
to like a girl for that.
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